
The year I was in tenth grade, my whole family picked up and moved to the suburbs of Paris, while my dad was on a sabbatical. I enrolled (with 2 years of school French behind me) in the Lycee d’Orsay. It’s amazing how quickly you pick up a language when you’re truly immersed in it – but for weeks and weeks, there was the perpetual frustration of not being able to say everything I wanted to. I started to get my new friends’ jokes, for example, but couldn’t tell one myself, unless it was by accident, like when, one sunny afternoon, I announced that I intended to have myself “gilded.” (I was looking for “bronzer,” but it’s not like the English idiom makes any more sense: is it “tan” like the color, or like “tan your hide”?) I got it eventually, to the point where my French was pretty fluent (and still is, with a bit of warm up time – although, Rip Van Winkle-like – it’s the well-preserved French of a sixteen year old schoolgirl in the late 1970’s. Do you still talk like you did when you were sixteen? Probably not. And you can imagine what sort of embarrassing things might happen when a forty-something mother of three starts channeling a Val(ley) de Chevreuse Girl.
Anyway, it’s like that with the knitting. There are things that I imagine making, but I simply don’t know how to make the yarn do that. That’s how it was with the mitered ball band. I was taking a stack of them out of the wash a few weeks ago, and (who knows where these things come from) was inspired to do a bit of laundry room origami, and folded a ball band so that the rows of “bricks” met in a miter. Very cool.
At the point, the only way I knew to do a miter was by following the line by line pattern in Mason Dixon Knitting – and like I’ve said elsewhere, doing the ball band pattern and counting stitches for the decreases in the miter felt like patting your head and rubbing your stomach at the same time. Could not do it.
In the meantime, though, Mason Dixon Kay put her Ninepatch Dishcloth up on the Mason Dixon blog, and, in the process of cranking through 2 dozen little mitered squares for my ninepatch rug/mat (which, by the way, is knit but not sewn – it’s next in line) using a stitch marker – well, that kind of miters were OK now. With that in my knitting vocabulary, I went back to the ball band idea – and this time around, it was a piece of cake.
And so here are the basic things I figured out about how to miter a ball band warshcloth:
HOW TO MITER A BALLBAND

Cast on a odd multiple of 5 stitches (remembering that the finished sides will be approximately half as long as your cast on), placing a marker before the middle stitch (for example: with 45 stitches, on the RS the marker will be on the needle between stitch #22 and stitch #23.)
On the RS, work in the ball band pattern until you get to 2 stitches before the marker. SSK, pass marker, K1, K2tog on the K rows of the pattern; (NOTE: on the P rows of the “bricks” I did P2tog, pm, P1, P2tog, but my decreases probably slant funny. Suggestions for how to decrease in pattern on the purl rows?).
Still on the RS, after the decrease in a “brick” row, you need to figure out how to make the second half of the row be a mirror image of the first half. Go to the last stitch on the left needle, and counting from the end towards the middle, figure out, according to the ball band pattern, which stitches need to be the slipped ones. Resume the ball band pattern at the middle of the row, slipping the stitches you identified (NOTE: this is only really an issue each time you start a set of brick rows; after the first row, the stitches to be slipped are obvious.)
On WS rows, follow the ball band pattern, EXCEPT always P the middle stitch (which is the one BEFORE the marker on a WS row.
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That’s it; not so scary after all. And please, any suggestions about how to streamline this – and how to sort out the purl row decrease – are very welcome.